Showing posts with label beadmaking class. Show all posts
Showing posts with label beadmaking class. Show all posts

Tuesday, October 18, 2011

Tuesday Tangle: Mokume-Gane Metal Clay Class



 Tuesday Tangle is a weekly feature about all things wire (and sometimes not).


Burnishing a Metal Clay Mokume-Gane Pendant


I'm taking today's Tuesday Tangle to finish catching you up on my class with Hadar Jacobson. I wanted to show you where I am with the mokume-gane projects I made in Hadar's class but wasn't able to fire and finish.  The pendant above has three different kinds of metal clay, copper, bronze and steel. It's primarily copper because copper shrinks less than the bronze so I avoid the potential warping.  I'm burnishing it to see if there are any flaws in it. It's easier to catch at this phase than try to fix it after its fired. I can't let my tendency towards skipping steps to come into play. I'll be very sorry later if I do.

I had to test my brick kiln first by making a full load of copper and bronze test circles. Fortunately, the first load came out perfectly so I didn't have to do any adjustments from the recommended firing temperature.  I love the quick fire clay and shortened firing time. It's closer to instant gratification for those of us who are impatient.

Fired to perfect blackness in my own brick kiln!
Here's what they look like in all their polished goodness....



I'm happy with how these turned out especially the teardrop in the front.  I wanted it to look like a table cut bead so I polished it flat rather than keeping the rounded shape. I really like how it looks.

Which one is your favorite?

Thursday, June 18, 2009

Learning from The Keeper

Back from Corning and an amazing class taught by Beau Anderson at Hands On Glass. I'm kicking myself for forgetting my camera at home and then not using the camera on my iPhone much. What can I say? I was too busy learning and watching and trying to make beads with new-to-me techniques.

I'm sorry I didn't get more pictures of Beau at work, though. If you ever get a chance to take a class with him or can figure out how to bring him in to teach in your area do not hesitate! He's one of the "Keepers of the Flame" (no pun intended). What I'm referring to is the second generation of glass artists. There are very few second generation glass artists in the U.S. My first set of teachers, Faith Davis Ferris and her Dad, Dave Davis are one.

Beau is another.

The Keepers start early, Faith was at the torch at age 6 and Beau was 7 when his Mom, Sage first taught him.

(The picture below isn't very good - a cell phone camera being what it is - but the stringer he's applying is the diameter of a human hair. He says that still isn't as small as some of the dots made on ancient beads. I believe him but it doesn't diminish the impressiveness of what he can do.)



Beau keeps the flame exquisitely. His work is full of precision and knowledge - if you think that might not translate into beautiful work you'd be wrong. He can do it all and he's happy to show you how too. Beau's the real deal.



I wished I'd had my camera as I stood behind him today when he was repairing a crack in a sculpture he'd made by lighting a hand held torch and healing the crack while the sculpture was in the kiln. It was cool.

Ok so enough gushing - you're probably wondering what I learned or did?

Flamework glass artists always want to know about the torch. What torch did you work on? We worked on Nortel torches in the class, Minors, Midranges, Red Max and Red Rocket (OMG I love that torch but I don't have the oxygen for it!)


Midrange:


Red Max:


Red Rocket: (Beau is pictured above using the Red Rocket)


Drool drool...ooopps sorry. I was looking at the torches.

I worked on a minor and got to make lots of new-to-me beads. The one I'm most fascinated with is the Islamic Folded Bead. I'll elaborate on it later but I'll be practicing that one for awhile. Let's suffice it to say that Beau keeps his students' worst bead to put up in his studio - he says if a student comes to his studio to take a class they'll be able to see how far they've come in their work. My Islamic Folded bead made it to the wall of infamy!

I learned the difference between raking and feathering and how to do it. I also learned bent beads, latticino, lacy latticino, ribbon cane, murrini, complex murrini, off mandrel implosions, three different ways to encase, berries, dots, warring states beads, creating shapes with dots, and lots more.

Remember I said I had to make my own murrini? Well I did!

I'm too tired and exhausted to take pictures tonight, but I will. You know us crazy glass people - when we take a class we go until we drop! Melt glass until you drop! So I'm just plain tired - time to crawl into bed but before I go...

You all know when you go away from work, you gotta pay the price for being away - I've got a long day of sign language interpreting tomorrow. So, I'll stop here and say learning from The Keeper was fabulous - I've got so many ideas swirling in my head now and new techniques!

Awesome.

Have you learned something new from someone?

Monday, June 15, 2009

Creative Re-Energizing: Flame of Mind



It's back to Corning. Today I start a three day class with Sage Holland and her son Beaux at Hands On Glass in Corning, New York. It's part of Flame of Mind - classes before and after the Glass Art Society Conference in Corning.

I've wanted to take a class with Sage since I first started making beads. I never had the funds or wasn't able to travel to Arkansas to take a class. So I'm thrilled to be going. I've been feeling burned out on life lately and hoping this might re-energize the entire me and not just beadmaking me.

Let's all knock wood together right now so that a repeat of last week's trip to Corning won't be repeated! Smile! Knock knock knock!